İznik · Photo route

In Advance Light in İznik

Day birth in Lake İznik and blue watch, historical surlar and tile workshops. Extend the route to Gürle and Gölyazı.

The first light on the Lake İznik gradually marked the slips on the coast and lines on the water. In the middle of the day, the location of the lake takes small details of the stones and tile workshop. Try the fate you set in the morning when you return to the evening again once again. The same lake gives another square at the two ends of the day.

Give a shot break in Misi (Silvertepe) before İznik if you are coming from Bursa. Go to the door and window details of old houses from a large square on the shore of Nilüfer Tea. The courtyard and Irgandı Bridge of Koza Han in the Bursa center, two stops to maintain the architectural series you start in the village with city life.

Morning İznik Lake

Before the day birth, arrive on the shore and enlighten the first feminine horizon. First pull a large square that also takes into the sazy or coastal line. Then approach details such as reflection, water rings and wet stones. Two squares you have taken with a few minutes from the same point show how quickly the light changes the landscape.

Between the Surler and the bazaar

Start with a large square in Lefke Door by going to the center from the lake coast. In the door there are articles belonging to the Rome period. See the shade of Kemer, the places where stones are merged, and the texture that vary throughout the surplus. Move the Istanbul Gate and Rome Theater. In the vicinity of Hagia Sophia and the bazaar, turn to door fronts, showcases and moving on the street. With a few squares, you can show both historical structures and everyday life.

Take the permission of a pattern in Chinese workshop

Traditional tile construction is located in the Unmutable Cultural Heritage List of UNESCO. If you can set a workshop visit to the master that day you can see which stage. If painting is done, start with a large contrast square, then pull the detail of the hand and pattern that holds the brush. Take permission for the portrait of the master and ask before using flash in the working area.

Lake İznik again on sunset

Return to the coast after the workshop. Take the slips or shoreline that you take in the morning to the rest of the sunset. A little thicker after sun sink. When returning the sky to blue, the shades of the water and the coast vary. Save this passing with several different poses in the same cadraj if you have your tripod.

The next morning Gürle, followed by Gölyazı

If you are able to distinguish the route more than a day, spend the morning at Gürle. See the village on the street scale first, then approach a yard door, wall texture or an old window. Leave the street or the facade of the house in a portrait that you have taken by the permission. You return to the water again in Gölyazı, this time on the coast of Lake Uluabat. Photo the way to the lake, the fishing boats and the casual life around the Sacrifice.

Going to the photo group

At TripTailor, we held a trip to İznik. For a new group, we can plan meeting hours according to the morning, the number of people who can take the workshop and the time to leave the village station. Write how many people your club are and you want to give the weight to the landscape, architecture or documentary photo.

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